Post by Davidoyetu on Aug 8, 2006 14:21:37 GMT -5
how do you guys like her? I think shes awesome, I love all her CDs and she dances really good. She also sings in Spanish and she has a duet with Juanes in her new CD
#HAPPY#
#HAPPY#
Nelly Fortado is Canada's newest female superstar. Nelly Furtado hails from Victoria, a quaint, quiet town on the western shores of British Columbia. Furtado found her way into the music world kind of on a whim, a first-generation Canadian, the daughter of working-class Portuguese parents. Her mother is a former church choir singer, while her father -- a fan of Portuguese music styles, known as "fado" -- sings as a pastime. Her grandfather played instruments, and even her great-uncle was a renowned Portuguese marching band score composer. All of these family elements inspired Nelly's passion for music and a broad spectrum of musical genres at that. By the age of four, young Nelly was playing the ukulele and singing in Portuguese and English, and was the trombone player of a jazz band, concert band and marching band, from nine to eighteen. Her vocal chords and dance skills were also useful with her involvement in musical plays. She knew early on in her childhood that she wanted to be a performer, and her dreams were realized via several chance opportunities and events throughout her life. Nelly received a tape recorder and microphone when she was eight years old, which served as a key part of her musical influences. With the help of her tape recorder, Nelly would sample the sounds that impressed her, similar to those used by popular '90s acts. She sang into her microphone and recorded original sounds with the "scratch effect" of her keyboard.
A self-proclaimed R&B and hip-hop lover, Nelly was later exposed to the British rock sounds of the mid '90s, after a trip to her ancestral Portugal. Teenage Nelly's eyes were now open to groups such as U2, Radiohead, Oasis, while she discovered Portishead thanks to a mix tape that a friend of hers made. The tribal beats and bossa nova sounds evident in her music come from the music she was exposed to later on, such as a Brazilian compilation album that combined African and Portuguese styles. The album is the product of her participation in a Toronto young performer's talent show at the age of 18. The manager of the Philosopher Kings, a popular funk/pop group, who was also present at the show, was impressed by Nelly's talent. The only real recording experience she had up to this point was singing back-up vocals for her friend's Toronto-based hip-hop group. But that was enough to cut a demo tape with the recording team of Gerald Eaton and Brian West (of the Philosopher Kings). After much convincing on the part of Eaton and West, Nelly returned to Toronto to record more tracks. Her critically-acclaimmed debut album not only showcases the mix of musical backgrounds -- African beats, hip-hop, folk, urban style, bossa nova, and the Portuguese "fado" -- it also highlights a new talent that will definitely soar like a bird. While many bands and artists make due with strong songwriting or a talent for pop melodies, Nelly combines the two aspects masterfully, creating a sound that somehow stands out as unique (difficult in the cluttered bog of the pop world). Her voice is like nothing you’ve every heard: not particularly strong, not particularly smooth but distinctively unmistakable.
A self-proclaimed R&B and hip-hop lover, Nelly was later exposed to the British rock sounds of the mid '90s, after a trip to her ancestral Portugal. Teenage Nelly's eyes were now open to groups such as U2, Radiohead, Oasis, while she discovered Portishead thanks to a mix tape that a friend of hers made. The tribal beats and bossa nova sounds evident in her music come from the music she was exposed to later on, such as a Brazilian compilation album that combined African and Portuguese styles. The album is the product of her participation in a Toronto young performer's talent show at the age of 18. The manager of the Philosopher Kings, a popular funk/pop group, who was also present at the show, was impressed by Nelly's talent. The only real recording experience she had up to this point was singing back-up vocals for her friend's Toronto-based hip-hop group. But that was enough to cut a demo tape with the recording team of Gerald Eaton and Brian West (of the Philosopher Kings). After much convincing on the part of Eaton and West, Nelly returned to Toronto to record more tracks. Her critically-acclaimmed debut album not only showcases the mix of musical backgrounds -- African beats, hip-hop, folk, urban style, bossa nova, and the Portuguese "fado" -- it also highlights a new talent that will definitely soar like a bird. While many bands and artists make due with strong songwriting or a talent for pop melodies, Nelly combines the two aspects masterfully, creating a sound that somehow stands out as unique (difficult in the cluttered bog of the pop world). Her voice is like nothing you’ve every heard: not particularly strong, not particularly smooth but distinctively unmistakable.
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